Scholar, historian, artist and raconteur Nell Irvin Painter is the author of The History ofWhite People and Old in Art School. Her latest book is an insightful addition to her canon.
Turns out Albert Einstein and Franz Kafka lived in Prague at the same time and had the same circle of friends. In a new graphic novel, Ken Krimstein puts us in the room with two 20th century geniuses.
Two years ago, Cat Brushing, a collection of provocative stories about older women still very much in touch with the sensual side of life, put Jane Campbell on the map.
Ian Frazier’s signature voice — droll, ruminative, generous — draws readers in. But his underlying subject here is even bigger than the Bronx: It’s the way the past “bleeds through” the present.
Camille Peri's lively and substantive dual biography of Fanny and Robert Louis Stevenson offers a glimpse of their unconventional marriage — and an inspiration for living fearlessly.
In his sequel to 'This Day,' Berry’s themes, including bringing alive the joys and sorrows of hard-working rural Kentuckians. are revisited in ways both familiar and fresh.
The story takes place in Newark, over the course of a single day in 1957, which we experience from the two spouses' alternating points of view. Jessica Anthony's novel deserves to become a classic.
Dinaw Mengestu's ingenuity and eloquence as a writer are on display in this novel about an Ethiopian American man who returns home only to learn that his father has just died.
The dictators of today aren't united by ideology, writes Anne Applebaum: They operate like companies, focused on preserving their wealth, repressing their people and maintaining power at all costs.
Mateo Askaripour's sophomore novel is a sprawling speculative-fiction narrative that delivers a heartwarming story about a young woman learning to navigate the world.
Rosalind Brown's debut novel, Practice, centers on an undergraduate student trying to write an essay on Shakespeare. Along the way, we are treated to the fleeting insights of the the brain at work.
With exquisite prose, smart lines on every page, a building sense of growing strangeness tinged with dread, and surprises all the way to the end, this might be Laura van den Berg's best novel so far.