Gypsy has been called the best musical of all time. Audra McDonald is starring in a new Broadway revival, and the race-conscious casting gives the production a new frame.
Jackson made a cameo in the romantic comedy musical & Juliet on Saturday night. She told NPR: "I got a call, and someone said, 'We heard that this was your lifelong dream.' And it is."
The musical's producers hope to bring Midnight in the Garden of Good and Evil to Broadway after its initial run in Chicago. GPB Savannah reporter Benjamin Payne attended opening night in Chicago, and has this review.
There were very few surprises during Sunday's Tony Awards, except for one: best musical. The final award of the night went to The Outsiders, the adaptation of S.E. Hinton’s beloved book.
This week, Brittany Luse sits down with playwright Jocelyn Bioh, whose new play, Jaja's African Hair Braiding, is up for five Tony Award nominations, including Best Play. The two discuss Bioh's unique approach to comedy, what it took to bring a hair affair to Broadway, and how to find humor in dark situations.
Want to be featured on the show? Record your response to Brittany's question at the end of 'Hey Brittany' via voice memo and send it to ibam@npr.org.
During an interview with castmates Maeve Moynihan and Yaegel Welch, Thomas told GPB about his role in the national touring production of To Kill a Mockingbird, why the play offers lessons on politics and the appeal of portraying Southern characters — including Atticus Finch and John-Boy Walton.
Morehouse College graduate Yaegel Welch stars with Richard Thomas in the current Broadway touring adaptation of To Kill A Mockingbird, Harper Lee's 1960 novel about Southern life in the 1930s. He spoke with GPB ahead of its run at Atlanta's Fox Theatre May 7 through May 12.
Durang was a master of satire and black comedy who won a Tony Award for "Vanya and Sonia and Masha and Spike" and was a Pulitzer Prize finalist with "Miss Witherspoon."
Actor Michael Imperioli talks about his Broadway debut in An Enemy of the People and the relevance of this adaptation of the play, roughly 150 years after the original.
Maurice Hines, who started tap dancing at the age of five, starred alongside his late brother Gregory Hines in the 1984 Francis Ford Coppola movie The Cotton Club.