For a seventh straight week, Taylor Swift’s The Tortured Poets Department rules the Billboard 200. On the singles chart, Eminem references both the Steve Miller Band and his own past glory.
For a sixth straight week, Swift’s The Tortured Poets Department rules the Billboard 200. The songs chart also features a returning champion: Post Malone’s “I Had Some Help,” featuring Morgan Wallen.
Luiza Brina spent 10 years developing an album of nonreligious prayers. NPR Music's Lars Gotrich dives into newly released music from Brazil, featuring Milton Nascimento, Amaro Freitas and Anitta.
For the fifth week in a row, Swift's The Tortured Poets Department was the best-selling album in the country. Post Malone and Wallen's "I Had Some Help" repeated as the top song.
In 2021, burnt out from the intensity of her early career, Rogers considered quitting music entirely. Instead, she took a detour — to Harvard Divinity School. Her new album is Don't Forget Me.
From Billie Eilish to Bad Bunny, JT to J.Lo, boygenius to Ice Spice, here they are: the home-run performances, the solid base hits and the outright whiffs.
One of the best albums of 2024, Diamond Jubilee, isn't on streaming services. The artist who released it, Cindy Lee, has rejected the streaming era's demands to create something entirely their own.
Speaking alongside brother/collaborator Finneas, Eilish says she discovered a new self-awareness on Hit Me Hard and Soft, after years of seeing herself through others' eyes.
Madlib's music feels like a magic trick. On this edition of 8 Tracks, we bow down to Madlib's mastery, plus check out new music by Charly Bliss, Fana Hues and reminisce on an old Ted Leo record.
On Friday — the day Swift released her 11th album, The Tortured Poets Department — she smashed the all-time Spotify record for most album streams in a single day, with more than 300 million.
A new single, "Primrose Hill," was co-written by Sean Ono Lennon and James McCartney, the youngest sons of Beatles musicians John Lennon and Paul McCartney.
The Houston-bred artist's new album uses country as a trapdoor into a sweeping genre expression. By adopting the role of the outlaw, she's free to toss all rules into the trash heap.
Is the much-hyped sequel to Renaissance a country album? In many ways, yes — but it's also a sprawling collage of disparate references, while remaining a Beyoncé album at its heart.