Formed in 1975, Pere Ubu embodied the industrial decay and hardscrabble ethics of Cleveland. Thomas tied together the band's sound with uncompromising vocals that exuded steely menace and unfettered anguish.
Bon Iver's new album, SABLE, fABLE, explores a world of new possibilities for the artist, and in the accumulation of hardships and opportunities that got him to this fresh start.
Elton John partnered with Brandi Carlile for a new album of duets, Who Believes in Angels? But the project almost fell apart during its first recording sessions.
Over the last few years, hardcore has transformed from an underground subculture into a mainstream phenomenon. Scowl is one of the unwitting torchbearers for this paradigm shift, but their success hasn't come without tension.
In a volatile music industry, some musicians are gravitating towards OnlyFans, a social media platform that has garnered a reputation for hosting sexual content.
Even as the songs on Forever Is a Feeling chronicle a love that's come to fruition in public, Dacus still creates a particular kind of safe space for the fans who delight in swooning with her.
At this year's 67th Grammys, wins for The Beatles and The Rolling Stones in a year when other genres showcased rising stars prompt questions about who votes for rock at the Grammys — and what needs to be done for the awards to recognize new blood.
For most of the '00s, Panda Bear helped define the sound of youthful, ramshackle indie rock. On Noah Lennox's eighth album, Sinister Grift, the artist focuses on the shifting relationships and faltering memories of midlife, with a fleshed out band behind him.
Last week, the hottest ticket in NYC wasn't the SNL 50th anniversary concert. It was the three nights Paul McCartney played at a tiny downtown venue that usually hosts up-and-coming indie rock bands.
Horsegirl's sophomore album Phonetics On & On is a compulsively replayable record full of arrestingly catchy, bare-bones songwriting and twee treasures.
