Alba Rohrwacher and Irene Maiorino discuss their roles as leads in the fourth and final season of the HBO series My Brilliant Friend, based on Elena Ferrante's Neapolitan Quartet novels.
Chu takes his inspiration from his dad, a Chinese immigrant who worked both the front room and the kitchen of their family-run restaurant: "The guy that in the back of the kitchen, that was my hero."
Filmmaker David Leitch says it's easier to do stunts himself than direct his stunt performer friends. "You are responsible for their safety," he explains. "Your heart goes through your chest."
Buteau says covering the news of the 2001 terrorist attacks crystalized her desire to go into comedy. She stars in the film Babes and in the Netflix series Survival of the Thickest.
Today, we are bringing you an episode of a new NPR podcast hosted by our pal Rachel Martin. It's called Wild Card, and it's a new interview show where the game controls the conversation. Each week, the guest chooses questions at random — about the memories, insights, and beliefs that have shaped their lives. This episode is an interview with the actor Pop Culture Happy Hour listeners voted as their favorite Chris — Chris Pine.
Brittany sits down with Jane Schoenbrun, the director of A24's coming of age horror film, I Saw The TV Glow. Brittany and Jane discuss suburban decay, delightfully creepy kids shows, and new metaphors for the trans experience.
A few years ago, Jon Bon Jovi stopped performing due to a vocal cord injury. The Hulu docuseries Thank You, Goodnight offers a career retrospective, plus a view of his surgery and return to the stage.
Bird notes that WNBA players represent society's most marginalized groups. "We're Black, we're women, we're gay," she says. "And those are the groups that are held back in our society."
Erotic thrillers are meant to be sexy, bloody, and fun. The best of them also deal with shifts in culture that people are anxious about: Fatal Attraction was about the threat of working single women, and Basic Instinct got into bisexual panic. A hot new erotic thrillertakes on women's strength and capacity for rage: Love Lies Bleeding is an 80's fantasia of big muscles and big hair with steamy sexy scenes and thrilling plot twists. It follows the story of a bodybuilder named Jackie, played by Katy O'Brian, who falls madly in love with gym manager Lou, played by Kristen Stewart. Host Brittany Luse sat down with Katy O'Brian to talk about strong women and the fantasy of wielding the rage that lurks just under the surface.
The comic, actor and filmmaker came to the U.S. from El Salvador in his 20s. "This movie deals with the problem of immigration, but I think of it as a very silly, happy and joyful movie," he says.
When Shogun, James Clavell's best selling novel was adapted into a powerhouse NBC miniseries in 1980. The hero of the story was Englishman John Blackthorne.
The people he met when he landed in Japan in search of riches, are viewed and portrayed as primitive.
In the 2024 Shogun adaptation the Japanese characters are fully formed. The series elevates the stories of the Japanese characters as much as it does Blackthorne's.
That was a deliberate decision on the part of Shogun co-creators Rachel Kondo and Justin Marks.
In the 1980 version of Shogun, Japan, its culture and its people were portrayed as foreign and remote. What do we lose when stories are only told from one point of view? And what can be gained when we widen the lens?
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Villeneuve remembers watching the 1984 movie version of Frank Herbert's 1965 sci-fi novel Dune and thinking, "Someday, someone else will do it again" — not realizing he would be that filmmaker.
Philipps plays Mrs. George, a "cool mom" seeking the approval of her teen daughter in the new movie musical version of the 2004 film. Philipps got her start as a teen on the series Freaks and Geeks.
Da'Vine Joy Randolph just keeps winning — she's won best supporting actress for her role in The Holdovers at the BAFTAs, the Golden Globes, and Critics Choice Awards, and now she's up for an Oscar. And her performance as Mary Lamb, the head cook at a boy's boarding school in 1970's Massachusetts, really is awards worthy. Mary is no-nonsense, but loving, and grieving a son who's been killed in the Vietnam War. It's a moving and subtle portrayal of grief. Da'Vine says part of the success of her performance is owed to the quality of the script and of her collaborators, but she also has an awe-inspiring character creation process. Host Brittany Luse sat down with Da'Vine to chat about how she conveys a character's spirit – and the personal stories she drew from to build this particular performance - while at the same time battling Hollywood stereotypes about curvy Black women.
Director Lila Avilés' film is a celebration of family and spirituality in contemporary Mexican society. And it's a beacon of how women filmmakers are becoming the new face of Mexican cinema.
