The film and TV composer talks about his second solo album, plus scoring hit shows like The Midnight Gospel.

Atlanta Symphony Music Director Nathalie Stutzmann is the second woman to lead a major U.S. orchestra. She joined ASO in 2022 and is in the middle of the 2023-2024 season, which debuted this week on GPB Radio and airs Thursdays and Sundays and streams across the state of Georgia on GPB Classical. This weekend, GPB TV will air the documentary, My Boléro, about Stutzmann's first time conducting the famous 1928 orchestral work by French composer Maurice Ravel.

A new amphitheater is opening on the site of the former Macon Mall. The 12,000-seat venue is meant to be a lure to the big promoters of touring acts to look to Macon. Lynyrd Skynyrd and ZZ Top are set to perform at the new space on March 24.

The pop crooner was behind some of the biggest power ballads of the 1970s and '80s. His wife said he died in his sleep.

It's basically spring - which means wedding season is starting to rev up. And no one does weddings quite like Jennifer Lopez - both on-screen and off. Host Brittany Luse revisits her conversation with New York Magazine features writer Rachel Handler to break down J.Lo's wedding planning movies, how they add to J.Lo's brand, and what they say about our investment in the real-life wedding industrial complex.

Get ready for albums by Iron & Wine, Kamasi Washington, Tyla, Vampire Weekend and many, many more.

The artist's radically inventive new album produced with Justin Raisen plays like an apt distillation of what it's like to live right now.

Steve Lawrence, a singer and top stage act who as a solo performer and in tandem with his wife Eydie Gorme kept Tin Pan Alley alive during the rock era, died Thursday.

Singapore made an exclusive deal to host Taylor Swift's Eras Tour concerts, locking out other Southeast Asian destinations.

From a perceived Barbie snub to the notching of a few significant historical firsts, this awards season has magnified the flaws in how art is celebrated and valued.

If there's any justice in the world, a Barbie songwriter will take home this statue.

The song is many things: comforting, manipulative, cathartic, a little threatening. Most importantly, it is a vessel, which empties out at the chorus to accommodate whatever a listener brings to it.

It's been nearly 10 years since Andre and his partner in Atlanta rap act OutKast, Antwan "Big Boi" Patton, headlined a sold-out, three-night stand at Centennial Olympic Park — and two decades since the duo released Speakerboxxx/The Love Below, now the best-selling rap album of all time. 

The Apollo Chamber Players in Houston, Texas, create concerts in response to book banning, the refugee crisis, the war in Gaza and other world events. Thousands of people attend their performances.

This year's Oscar nominees for best original song are headlined by two songs from Barbie: one from Billie Eilish, and the other from Ryan Gosling. But there's also an intriguing mix of tracks from Jon Batiste, the Osage Tribal Singers, and Becky G — with an assist from perennial Oscar nominee Diane Warren. Today, we get into what we think will win, what should win, and what criteria should we use when we judge original songs in movies?