The star who commands a planetary position in the galaxy of pop chronicles divorce and soul-searching recovery on an album that thrillingly redefines her artistry by bringing her gently down to earth.
The growing discography made by the Griselda founder and the noir-inspired Kansas City producer reflect the way these two visionaries have aligned to create something singular.
Santigold's debut album captures the New York dream of being a singular sensation above the masses. It inspired writer Dawnie Walton when she first moved there — and again when she needed a new start.
The forthcoming documentary Get Back revisits The Beatles' final days together. McCartney says he took the band's breakup hard: "It was quite difficult, because I didn't know what to do at all."
The mostly white country and folk music industries remain frustratingly difficult for Black musicians to enter. During one of Nashville's biggest events, one group envisioned a new pathway in.
NPR's A Martínez talks to McKay Coppins of The Atlantic about how a hedge fund, Alden Global Capital, is buying and then gutting newspapers — and the implications for democracy.
Karen Dalton, an enigmatic artist beloved by colleagues Bob Dylan and Phil Ochs, and idolized by followers like Nick Cave and Courtney Barnett, is the subject of a new film.
The composer's magnetically powerful Fire Shut Up in My Bones lands with a force of authenticity, a too-rare window into Black life in an operatic setting.
Colette Maze, now 107, began playing the piano at age 5. She defied the social conventions of her era to embrace music as a profession rather than as a pastime. She has just released her sixth album.
"We're all taught that the success of a relationship has to somehow correlate with the length of it ... I just don't think that that's fully accurate." The singer-songwriter's new album is out today.
From the '60s on Lee "Scratch" Perry, who died on Aug. 29, brought reggae into rootsy shape and developed his own collaborative production techniques, all of which reverberate (heavily) to this day.
Turnstile's nothing but true to the sprawling, rambunctious spirit of hardcore. But overlooked — or at least hidden in plain sight — is the band's allegiance to funk.
John Coltrane rarely performed the music from A Love Supreme after its release at the end of 1964 – meaning even the most ardent Coltrane-ologists have been unaware of the existence of these tapes.
The ambitious rapper's debut album starts with an acid trip and ends with a paean to a rap pantheon. In between, says writer Christina Lee, it offers crucial lessons about playing by your own rules.
