The seven-season show about a Baltimore police homicide unit didn’t feature gun battles and car chases. The tone, pacing and camera work were all groundbreaking when the show started in 1993.

Season 2 of HBO's Industry ended with a wedding, an arrest and a sacked star investor. Season 3 is the most dramatic and stress-inducing yet.

Set in 1971 Mexico City, this lively Apple TV+ drama focuses on four police women who discover that it’s easier to capture a serial killer than to deal with the misogyny of the men around them.

After last week’s barn-burner (and serf-burner) of an episode, this season climax qualifies as anti-. The season ends not with a bang, but with a lot of whimpering.

Rhaenyra goes looking for a few good men and finds them; Daemon dithers.

The verdict is in, and the ending is a dud: Rather than wriggling out of the original story’s sexism, the Apple TV+ series just makes the same mistakes in a new way.

Aegon catches on to Aemond's power plays. Plus: Alicent shows symptoms of maternal instinct.

In episode 5, Daemon's dreams go from spooky to scandalous. Plus: Your choice of kings — original recipe or extra-crispy.

The documentary produced by the New York Times tracks Louis C.K.’s professional success since admitting to misconduct in 2017.

Plus, not one but two potions, in case you forgot we were in fantasy-land.

Olivia Cooke and Emma D’Arcy are back on our screens together once again — but this time, no one is talking about negroni sbagliatos.

In the beloved FX show’s third season, the focus is on running a fine-dining restaurant. For Carmy and the rest of the staff, questions of creativity and excellence become central.

Ratcatching isn’t the lucrative industry it once was in King’s Landing.

In the season premiere of House of the Dragon, Aegon II and Aemond are eager for war, and HBO's sound crew takes a big swing.

An irresistible new Hulu series follows the quarter-life growing pains of a lonely South Londoner. It's based on a 2019 novel by showrunner Candice Carty-Williams.