The United Ukrainian Ballet Company is made up of dancers taking refuge in the Netherlands. The company travels to Washington, D.C., to perform Giselle, choreographed by Alexei Ratmansky.
Jon Scieszka and Lane Smith created The Stinky Cheese Man and Other Fairly Stupid Tales in 1992. They remember their work on the classic children's book and how their partnership began.
NPR's Ayesha Rascoe talks to David Garfield, Global Head of Industries at AlixPartners, an international consulting firm, about the work-from-home vs. office debate.
The PROTOTYPE festival, now in its 10th year, presents new operas and music-theater works in smaller settings. "We were trying to create a black box opera movement," says co-founder Beth Morrison.
Dr. Paradi Mirmirani tells us about COVID-19 and hair loss, and NPR's Ayesha Rascoe speaks to hair stylist Rebecca Haehnle about what people can do to style thinning hair.
In Fairfax County, Va., the health department is training high school students to become health ambassadors in underserved communities and get a leg up on future careers in public health.
Michael Heizer began work on his massive installation in the Nevada desert more than 50 years ago. One of the largest artworks in the world, it cost $40 million (so far) and is now open to the public.
Figurative painter Jonah Kinigstein was shut out of the art world when abstract expressionism came to prominence. Now he's finally getting some recognition.
Over-the-counter fever reducers for children are in short supply in some parts of the country. NPR's Daniel Estrin asks pediatrician Christina Johns what advice she gives to parents.
The 2022 World Cup came to an end in Qatar Sunday with Argentina victorious over France. In Buenos Aires, hundreds of thousands of fans flocked to the streets to celebrate.
Women are underrepresented as artists and songwriters and make up less than 3% of credited music producers. For women of color that number is even lower. That's why Willie Mae is so important.
Crescent Dragonwagon was in her 20s when she wrote a story told entirely in dialogue between a mother and her child. Now, she's updating her 1977 text with new illustrations by Jessica Love.
