How to achieve that hard-to-hit goal of work/life balance? NPR's A Martinez asks Bryan Robinson, author of Chained to the Desk in a Hybrid World.

Tania Branigan, once China correspondent for the Guardian, makes the strongest English-language effort yet to reconstruct what it was like to live through, and then with, this part of Chinese history.

Journalist James Risen tells the story of Sen. Frank Church, who exposed the dirty laundry of the CIA and the FBI nearly 50 years ago, and inspired congressional oversight of intelligence agencies.

In his new book, the former editor-in-chief of Buzzfeed News lands on his promise to chronicle the rise of digital media through the story of a snowballing, head-to-head competition.

A new cookbook offers kitchen techniques that reduce physical exertion. It aims to make home cooking accessible again for those with chronic back pain.

AI may be the topic du jour, but for now only a human can read attentively and sensitively enough to genuinely recreate literature in a new language, as translators have done with these three works.

In Soil: The Story of a Black Mother's Garden, Camille Dungy describes her years-long project to transform her weed-filled, water-hogging, monochromatic lawn into a pollinator's paradise.

Fatimah Asghar's debut novel When We Were Sisters is a coming-of-age novel that follows three orphaned Muslim-American siblings left to raise one another in the aftermath of their parents' death.

NPR's Ari Shapiro speaks with the author Abraham Verghese about his new novel The Covenant of Water in which a family in India is haunted by a medical mystery.

Some libraries are now facing an existential threat: They could lose their public funding over books deemed inappropriate for young readers.

John Wray's latest novel is a powerful and juicy story about a particular time, subculture, and the ways people can find themselves in — or can deliberately disappear into — fandom.

Arriving 10 years after the author's death, the roughly 150-page novel will contain five sections centered around a character named Ana Magdalena Bach.

Alexandra Auder's mother, Viva, was one of Andy Warhol's muses. Auder's memoir, Don't Call Me Home, describes her early life in the Chelsea Hotel, in a world of underground artists and "weirdos."

Max Porter's compulsively readable primal scream of a novel offers a compassionate portrait of boy jerked around by uncontrollable mood swings that lead to self-sabotaging decisions.

Much will be written about Abraham Verghese's latest novel in the coming months and years; it's a literary feat that deserves to be lauded as much as those of the likes of Dickens and Eliot.