It’s rare for the third installment of a franchise to resonate just as deeply, if not more, than its predecessors. But Day One manages to raise fresh, existential questions.
Writing and directing her first film, playwright Annie Baker exhibits uncanny powers of observation. Not much happens in this mother-daughter movie, but something momentous seems to have taken place.
Fresh off of Poor Things, director Lanthimos' three-part dark comedy about domination and free will feels like a lazy and self-admiring riff — punctuated by the occasional crude shock.
Inside Out 2 catches up with protagonist Riley at age 13, just as Anxiety enters her emotional life. But despite its many pleasures, the film lacks the emotional wallop of the original.
Comedies, action-adventures, coming-of-age tales, animation — plus that sweet, sweet movie theater air conditioning. There's something for everyone at the multiplex; our critics can help you choose.
Comedies, action-adventures, coming-of-age tales, animation — plus that sweet, sweet movie theater air conditioning. There's something for everyone at the multiplex; our critics can help you choose.
Glen Powell co-wrote Netflix's Hit Man alongside Richard Linklater, of the Before trilogy. The story is based on a Texas Monthly profile of a real undercover cop.
You can’t immediately tell whether this film is trying to be an old-fashioned Western or a revisionist one. It was written and directed by Viggo Mortensen, who stars alongside Vicky Krieps.
Sometimes, our favorite musical artists are too good to be true because they're sprung from the imaginations of Hollywood screenwriters. But what makes a fake band great? Today, we are debating the best fictional bands in TV and film — including from Mamma Mia!, Josie and the Pussycats, It's Your Move, and Miami Connection.
We want to hear your opinions about summer snacks. Are you Team Hot Dog or Team Hamburger? What's better: churro or a funnel cake? Click here to cast your votes. The results will be revealed at a virtual live event for Pop Culture Happy Hour+ supporters on Thursday, June 27th at 6 p.m. ET.
(Once you've signed up for PCHH+, make sure to set up your special feed, where you'll see a special bonus episode from May 31st with instructions on how to register for the live event. Email plus@npr.org for any extra assistance.)
Edgardo Mortara was just 6 years old when Italian authorities took him away from his family in 1858. Kidnapped is a true story steeped in Roman Catholic antisemitism.
Furiosa: A Mad Max Saga is packed with bone-crunching practical stunts and lots of gnarly, diesel-powered chase scenes. It also shows a commitment to worldbuilding that grapples with themes of feminism, environmentalism, and humanity. Directed by George Miller, the prequel film tells the story of a Furiosa (Anya Taylor-Joy), who was taken from her home as a girl, raised to be a warrior in a post-apocalyptic wasteland, and now seeks revenge on an evil warlord (Chris Hemsworth).
In this prequel to Mad Mad: Fury Road, Furiosa comes fully into her own as an action hero, hurling dynamite one minute and climbing up on top of the truck to fend off an attacker the next.
It's rare to find a series with such an impeccable pedigree as HBO's The Sympathizer. It's based on a Pulitzer Prize-winning novel, co-created by auteur director Park Chan-wook, and features Robert Downey, Jr. in four supporting roles. Set during and after the Vietnam war, the series follows a man (Hoa Xuande) juggling a position with the South Vietnamese military and one as a spy for the North Vietnamese. But is it a worthy adaptation?
In the new movie IF, a 12-year-old girl (Cailey Fleming) discovers she can see other people's imaginary friends. It stars Ryan Reynolds, and directed by John Krasinski. It mixes the real world and animation, but does it capture the heart of the Pixar movies that inspired it?