Robert De Niro plays rival mob bosses in a new biographical crime drama. But while it's fun to watch De Niro argue with himself, The Alto Knights ultimately feels dubious and derivative.
Cate Blanchett and Michael Fassbender play a high-ranking spy couple in Steven Soderbergh's new film. Black Bag offers Bond-style globe-trotting intrigue and marital dramedy.
Robert Pattinson plays a space traveler who's repeatedly killed and resurrected in the name of scientific research in this otherworldly farce. It's Bong's first movie since his Oscar-winning Parasite.
In On Becoming a Guinea Fowl, filmmaker Rungano Nyoni weaves a surreal drama about defiance in the face of ritual, and the secrets that flourish in silence.
When the flood waters rise, a band of animals takes shelter on a boat, where they have to work together to survive. Flow is a radiant fantasy, where solidarity, not selfishness, can save the day.
It is an adjustment to see Bridget Jones in a sad story on-screen. But in Mad About the Boy, Zellweger is still in touch with Bridget's tireless efforts to connect with her own sunniness, which have taken on new meaning.
There are many reasons to seek out Charles Burnett's long-buried 1999 film, but perhaps primary among them: The rare chance to see Lynn Redgrave, Margot Kidder and James Earl Jones share the screen.
A Brazilian family is rocked when the father disappears following a military coup. I'm Still Here tells the heroic true story of a wife and mother who steers her family through the rapids of tyranny.
This Oscar-nominated documentary, which tells the story of the Israeli military's demolition of Palestinian homes in the West Bank, was created by a team of two Palestinian and two Israeli filmmakers.
In Steven Soderbergh's supernatural thriller Presence, a family finds they aren't alone in their new house. It's a ghost story told masterfully from the ghost's point of view.
Marianne Jean-Baptiste gives a phenomenal performance as a profoundly unhappy woman. There isn't a lot of plot, but director Mike Leigh builds his stories from the details and detritus of daily life.
Check out the big Oscar contenders all you want, but 2024 was also a solid year for movies that didn't have big names, big studios and big marketing departments behind them.