Disney's first animated film to feature Southeast Asian characters follows a young girl's quest to recover the pieces of a magical jewel. The film has an emotional power that sneaks up on you.
A nuanced, flawed hero lends the latest Disney animated feature surprising depth, even if its grab-bag depiction of a world drawn from Southeast Asian cultures feels shallow.
Directed by Amy Poehler, the new Netflix film longs to stretch beyond its limits to be an inclusive look at feminism in teenagers, but its story works best when it keeps its ambitions modest.
Lee Isaac Chung's semi-autobiographical film centers on a South Korean family trying to make it as farmers in rural Arkansas. Minari proves that a small story can feel bigger than a blockbuster.
Frances McDormand plays a widow who travels the U.S. taking on work wherever she can find it in a new film based on Jessica Bruder's 2017 book. Nomadland understands loss in a way that few movies do.
A gay couple (Colin Firth and Stanley Tucci) take a trip through Great Britain's Lake District as they deal with the knowledge that one of them is dying.
A powerful new film focuses on the last year in the life of Fred Hampton, the chairman of the Black Panthers' Illinois chapter, who was only 21 when he was killed during a raid planned by the FBI.
Preparations to Be Together for an Unknown Period of Time isa dizzying noir that never heads where you expect. Two of Us is a crafty thriller that touches on elder abuse and LGBT couples' rights.
Set in the 1990s, this slickly made drama starring Denzel Washington, Rami Malek and Jared Leto may look like a retread, but it feels more like a weirdly enveloping trip down memory lane.
In this adaptation of Aravind Adiga's 2008 novel, a young man defies the odds by escaping poverty in a rapidly globalizing India. The White Tiger is a dark satire — with an eat-the-rich ethos.
Derek DelGaudio's successful off-Broadway show has been given a marvelous film adaptation that captures the stage production's delicate and humane tone.
Corpses pile up, but there are no human footsteps surrounding the dead bodies — only animal footprints. This strange, darkly funny film mixes feminism, social justice and ecology.