Jerzy Skolimowski's thrillingly imaginative new film, EO, follows a former circus donkey on a journey across modern Europe. It's a strange, haunting epic that couldn't feel more of our moment.
The debates over on-screen representation and filmmaking's blind spots predate digital outrage. The new podcast Screening Ourselves digs into three Hollywood classics, The Godfather, The Color Purple and Basic Instinct, and how they each portrayed, and ignited, historically misrepresented groups.
Each week, the guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: Dawnlands: A Novel, Addams Family Values, Wind of Change andTurnstile.
An engrossing new film focuses on New York Times journalists Megan Twohey and Jodi Kantor, whose reporting uncovered the crimes of Harvey Weinstein — and the vast network of people who enabled him.
Stuart Cinema & Cafe, New York's first Black Latina-owned movie theater, reinvented itself through the pandemic in order to survive. Now, it's ready to expand.
The movie Joyland, which features a love story between a married man and a transgender woman, is Pakistan's entry for next year's Academy Awards and caused controversy in Muslim-majority nation.
Michael Imperioli is back in the spotlight. This time around, he's being propelled by a leading role in another HBO show and a fresh wave of cultural relevance for The Sopranos.
Baldwin on Friday sued people involved in handling and supplying the loaded gun that he was using when it fired, killing cinematographer Halyna Hutchins during a 2021 filming accident in New Mexico.
The author — who died in 2007 at the age of 84 — wrote satirical novels that won him a cult-like following among young people in the 1960s. Vonnegut's novels communicated: "Hey, you're not alone."
On- and off-screen tragedies merge as the film reckons with the 2020 death ofChadwick Boseman, honoring the memory of the Black Panther star as respectfully as possible.
Spielberg's latest project, The Fabelmans, is semi-autobiographical — focused on his childhood and teen years and his parents' divorce. He jokingly refers to the film as "$40 million of therapy."