The documentary tells the story of a news outlet run by women from marginalized communities. The directors are thrilled by the nomination. But the reporters say their full story wasn't told.
The few Muslim women in American television shows or movies tend to be portrayed in contexts of oppression. A new test seeks assess the onscreen representation of Muslim women.
Michelle Yeoh stars as a Chinese American immigrant who suddenly develops the power to leap between parallel universes in this moving and often exasperating movie.
Wegner would be the first woman to win the Academy Award for cinematography. She says a highlight of the project was filming the lead actor as he improvised a key emotional moment in the story.
According to the Hollywood Diversity Report from UCLA, films with casts that were less than 11% minority did worse at the box office than their more diverse counterparts.
In the extraordinary new age of subtitled streaming and globalized filmmaking, the Oscar category is becoming a caricature of itself as a relic of the past.
In the new horror film, three generations of Korean American women grapple with the haunting repercussions of motherhood. Actors Sandra Oh and Fivel Stewart talk about what made the film so personal.
The movie's conceit is right up director Adrian Lyne's alley: a story about the mixing of sex and violence. But the film, starring Ana De Armas and Ben Affleck, is more competent than anything else.
Months after the Rust cinematographer was shot and killed, Halyna Hutchins' mother and father have been unable to escape the country, says her widower, who calls for safe corridors for refugees.