Campbell was born in Austria, the second daughter of Georg and Maria von Trapp and a younger stepsibling to the older von Trapp children who went on to be depicted in the musical and beloved movie.
The world's largest movie theater chain is adding onscreen captioning to 240 locations across the U.S. in an effort to make moviegoing more accessible.
Isaac says the bonds he makes on set are both meaningful and transient: "You have these really intense months ... and then it goes away." He stars in Dune, The Card Counter and Scenes from a Marriage.
The new James Bond film No Time To Die is providing an opportunity for advocates to push back on ways villains are portrayed with scars and other facial differences.
Wes Anderson's meticulously-constructed tenth feature adopts the format of a New Yorker-like Sunday magazine supplement to tell three very different, but equally idiosyncratic, love stories.
The first Hitchhiker's Guide to the Galaxy book was published in October 1979. Fans are looking back at how the series has endured in popularity and why it's still relevant.
Denis Villeneuve's take on Frank Herbert's novel of galactic intrigue and revolution manages to be both epic and introspective, though it doles out its story with gravid deliberateness.
There's a kind of satisfaction that comes from something living up to your expectations. But there's a different kind of pleasure that only being surprised by your own reactions can bring.
Each week, the guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: Spirit Halloween videos, the podcast Suspect, and more.
Ridley Scott's epic, which opens in 1386 Paris, tells the story of a duel between a squire of a knight from three points of view — including that of the woman they're fighting over.
In his first documentary, filmmaker Todd Haynes uses the language of experimental cinema to spotlight the Velvet Underground, a legendary band that flowered within New York's avant-garde art world.
In the 25th Bond film, 007's fellow spies include strong female characters, part of an evolution aimed at attracting new audiences and brands as the franchise makes some big transitions.
Ruthie Tompson's painting and animation work at the Walt Disney Company dates back to the 1920s — from Snow White and the Seven Dwarfs to The Rescuers.