Zach Snyder's Justice League drops on HBO Max on Thursday; despite being an eye-popping four hours long, it's a stronger film than the 2017 version finished by Joss Whedon after Snyder stepped away.
A tense new film, set in the town Srebrenica, conveys the terror of the events of July 1995, where more than 8,000 Bosniak Muslims were murdered by the Bosnian Serb Army.
The Oscar nominations embraced David Fincher's Mank, a movie about movies, which is no surprise. But if you want to pick your own favorites, this is the year to do it.
Our Nigerian critic wants you to know: We Africans do not see wild animals in our backyards! Women are allowed to own businesses! But I did admire the awesome head-ties — and powerful princesses!
Friday on Political Rewind, we step away from the headlines to have a conversation with one of the most respected and beloved artists to come out of the Atlanta theater community. Kenny Leon is a Tony award-winning director of Broadway theater, filmmaker and director of primetime television shows. His latest work is Robin Roberts Presents: The Mahalia Jackson Story.
Newman was a founding member of the improv group The Groundlings and an original Saturday Night Live cast member. She's voiced dozens of animated characters and has just published a new audio memoir.
The song "Strange Fruit" is the powerful and thematically horrifying centerpiece of the new film The United States Vs. Billie Holiday, which positions music as a powerful force for change.
Disney's first animated film to feature Southeast Asian characters follows a young girl's quest to recover the pieces of a magical jewel. The film has an emotional power that sneaks up on you.
A nuanced, flawed hero lends the latest Disney animated feature surprising depth, even if its grab-bag depiction of a world drawn from Southeast Asian cultures feels shallow.
Chung's semi-autobiographical film follows a Korean American father who moves his family to a farm in rural Arkansas. Minari began one afternoon when Chung wrote down 80 childhood memories.
Directed by Amy Poehler, the new Netflix film longs to stretch beyond its limits to be an inclusive look at feminism in teenagers, but its story works best when it keeps its ambitions modest.